An espresso cup (gray) that feels as if you are touching the soil.
It is an espresso cup that does not use glaze on the surface, has a gentle touch as if it were in direct contact with the soil, and has a characteristic texture and texture when held.
Because it uses advanced glassy raw materials, it has strong strength and is hard to get dirty.
Please join us for coffee time in the morning!
|Manufacturer||2016/ Leon Ransmeier|
|Country of origin||Saga Prefecture, Japan|
|Size||φ2.36" W3.35" H1.97"(φ6.0*W8.5*H5.0cm)|
|Electronic Equipment||Microwave oven : 〇, Dishwashing machine : 〇, Direct fire : X, IH : X, Oven : X|
|Delivery Time||1-2 weeks (if out of stock + 1-2 weeks)|
Wanting to pick up in hand, Arita ware that you want to touch
While researching the project’s Japanese cultural backdrop, New York-based designer Leon Ransmeier came upon the concept for ‘Perceptible Beauty.’ Focusing on Japanese utensils whose very shape and feel lets the user appreciate their inherent beauty when picked up, he adopted a design approach that would also make the modern user yearn to physically hold them.
As one of Ransmeier’s coffee pots, teapots, vases or mugs sits snugly in your hand, you will soon become aware of the finely-crafted swell of the item created with high-grade moulding technology.
Born in New York in 1979, Leon Ransmeier graduated from the Rhode Island School of Design in 2001.
He established Ransmeier Inc., a New York based industrial design practice in 2010.
Notable projects include the Chiaro chair for Mattiazzi, the AGL Table Group for Herman Miller, and the Revolver Bar Stool for HAY.
Ransmeier’s collaboration with industry often results in subtle interventions into the way we perceive and use things, enabling his designs to support the complexity of daily life through clear and informed interactions.
His designs have been exhibited at the San Francisco Museum of Modern Art, as well as in the 2010 and 2006 Design Triennials at the Cooper-Hewitt National Design Museum in New York.
Ransmeier’s work has been published internationally and is included in the permanent collections at SFMOMA and the Corning Museum of Glass.
How Japanese Products Can Be Such High Quality
The Reason Japan Can Produce So Many High-Quality Products
To put it simply, it’s because they found a way to produce exceptional products with high efficiency, resulting in surprisingly low prices.
The Japanese Drive for Perfection
The Japanese always seek perfection in both the production process and the products themselves.
As such, the Japanese production process aims to eliminate waste and inefficiencies while guaranteeing quality by having craftspeople inspect their own products and constantly strive to make improvements.
Ingenuity Stemming from the Spirit of “Omotenashi” and “Kikubari”
The Japanese excel at creating and improving things because of their devotion to the ideas of hospitality and attentiveness, known as “omotenashi” and “kikubari” respectively. These ideas push them to uncover, predict, and fulfill their customers’ every need.
This earnestness, as well as how they spare no effort when it comes to offering their customers the very best, is reflected in the products Japan produces.
Trustworthy Suppliers That Deliver On All Fronts
One product is often the result of various organizations joining forces and combining their skills and capabilities.
Japanese suppliers are known for their dedication to delivering high-quality materials, parts, and products on schedule, and it’s thanks to their efforts that Japan can produce such high-quality goods.
The Japanese Are the World’s Most Discerning and Demanding Customers
Many Japanese people have traveled and experienced shopping around the world. This has given them a much more discerning eye for judging the quality of products.
The standards of Japanese people are very high. They are finely tuned not just to the quality, safety, design, and novelty of products, but also to their visual appearance such as their packaging and wrapping.
Made-in-Japan products keep improving in quality in order to meet the rigorous standards of their domestic clientele.
Japan Is Home to Many Long-Established Companies
According to an international survey, Japan has the highest number of companies that have been established over a century ago. In fact, the grand total of 33,076 of such Japanese companies accounts for 41.3% of the total worldwide number of 80,066. The US takes second place with 19,497 companies (24.4%) and Sweden comes in third with 13,997 (17.5%).
Japan also has the highest number of companies that are more than two centuries old, being home to 1,340 such companies, which account for 65.0% of the global total of 2,051. The US takes second place with 239 companies (11.6%), Germany comes in third with 201 (9.8%), and the UK places fourth with 83 (4.0%).
So, Japan is able to produce so many high-quality goods because it’s home to the highest number of long-established companies that have been passing down their knowledge and technical prowess through the generations.
*Source: Based on data from Teikoku Databank and Bureau Van Dijk’s orbis (as of October 2019).
What Makes Traditional Japanese Crafts High Quality
Traditional crafts are the amalgamation of Japanese culture.
“Traditional crafts” is the general term used for crafts that are produced using processes and techniques that have been passed down through generations. In Japan, this includes textiles, dyed goods, ceramics, lacquerware, woodwork, washi Japanese paper, dolls, items for Buddhist rituals, and other goods that enrich our everyday lives.
Traditional crafts are associated with the concept of “the beauty of use”, which refers to products and skills that become easier to use and approach perfection the longer they come into contact with people.
Currently, it is believed that there are approximately 1,300 different types of traditional crafts in Japan.
Among these, 236 crafts have been officially designated as “traditional Japanese crafts” by the Japanese Minister of Economy, Trade and Industry (as of January 2021).
The main criteria for being recognized as a traditional Japanese craft:
Key Parts of the Production Process Must Be Done by Hand
Traditional Japanese crafts do not have to be entirely handmade, but the underlying process that brings out the product’s unique and distinctive characteristics, such as their quality, form, and design, must be handcrafted.
This guarantees that every traditional Japanese craft is, at its core, a product of human hands, meaning that its size and shape have been designed with human comfort in mind. It also makes the crafts much safer.
The Skills and Techniques Used to Make It Must Be Passed Down for Over 100 Years
The Japanese believe that a technique or a skill can only be considered reliable and complete after it’s been refined through trial and error and constant improvements by numerous craftspeople over a period of at least 100 years.
Skills are closely related to the capability of each craftsperson and precision, and they are something that an individual can refine. Techniques, on the other hand, are associated with the historical accumulation of knowledge, including everything from the selection of raw materials to the production process.
All this said, modern craftspeople don’t just mimic the techniques of the past. Rather, they’re continuously coming up with improvements and developing new ways of doing things without fundamentally changing what makes traditional Japanese crafts unique.
The Skills and Techniques Used to Make It Must Be Passed Down for Over 100 Years
As we can see, the secret to the high quality of made-in-Japan products is the drive of Japanese people for perfection, the adherence to their unique philosophy of hospitality, and their discerning eye that can’t be matched.
Traditional Japanese crafts are one level above normal made-in-Japan products, as they must also meet rigorous criteria such as being handcrafted or made using skills and techniques that have been passed down for at least a century.
Thanks to all of the above, Japanese products have become famous for their high quality all over the world.